Multiple Image Assignment

Panorama

This is an example of a panorama. It is of the Willamette river and the Hawthorne bridge. I like how vibrant the blue sky is as well as the green grass. It makes the panorama more interesting to look at. I also like the fish eye effect the bank of the river as well as the river have.

This panorama was taken outside of Lincoln, it is a mural. I love all the colorful images, it makes the photo interesting. To edit this panorama, I boosted the vibrance up and made the blacks even blacker. I like how the end of the mural seems to get smaller, this makes it seem like it is farther away from therest of the mural, which makes it seem like it goes on for a while.

Multiple Exposure

This is an example of multi- exposure. It is of a swing in my back yard. I like how the swing appears to be in motion, and I like the texture of the bark chips surrounding the photo. I changed the photo to black and white because I really like the different shades of the individual bark chips, and the black and white connects the whole photo. Originally the swing was yellow, and by changing it to black and white, it appears more connected as a photo.

This is an example of multiple exposure. It is of a mermaid picture on the mural outside of Lincoln. I like how there is a teal tint to the photo. The photo is made up of three individual photos of the same mermaid at different angles. I like where all the different angles place the head of the mermaid. In general, I really like multiple exposures, it makes for a really cool photo.

HDR

This is an example of HDR. This is a photo of the Hawthorne Bridge I took during our most recent trip to the Waterfront. There are two photos in this picture that were blended together in Photoshop. I like how blue everything is, there is a blue tint to the whole photo. I love the sky and the white stripes, I looks like brush strokes. I also love the reflections of the light on the water, it makes the photo more interesting.

Movement Assignment

This is a photo of slow motion. To take this picture, I went into my closet where it is very dark. I moved the shutter speed up to about 13 seconds. Then I turned off the lights, and using a flashlight, I flicked it on and off, appearing in different places. By turning the flashlight on and off, it looks as if I transported to each place, without moving. I edited by turning it to a sepia color scheme, and I brought the shadows up to give it a mysterious effect. I think this is a cool and creepy photo.

This is a photo of freeze motion. I took this in front of Lincoln High School. I am jumping off of the red and white ledge onto the concrete. To get a clean freeze with no motion blur, I set the shutter speed to about 1/125 of a second, so the lens could capture faster motion. To edit this I used a light room preset.  It brought the saturation of the green grass up, and brought the vibrance down to give the photo an antique-ish look. I really like the color of the bricks swell as my maroon pants contrasting with the green trash and green bushes.

This is a photo of panning. It is a photo of a car driving by Salmon Street, in front of Lincoln High School. To get this photo, I set the shutter speed to 1/15 of a second. To get this panning effect, where the background is blurry, I swept the camera to follow the movement of the car. To edit,  I used a light room preset. This preset turned the photo into an indigo/ purple and off-white pallet. There is  vignetting around the edges to bring focus to the car. I thought this panning turned out very nicely, and I like the colors, it gives a cool look to the photo.

This is a photo of total motion. I took this photo down by the waterfront. I took the picture with a  camera shake that is very effective. To edit this picture, I used a sepia preset, and brought the contrast up. I like this photo, especially because it was a photo taken on accident. I like how there is one goose with other geese in the background. I like how the hotel and the trees create a landscape effect, making the photo more interesting.